About the Company: Retro Productions
It is the mission of Retro Productions to present works of retro theatre. Retro is defined as "involving, relating to, or reminiscent of things past (American Heritage Dictionary)." At Retro Productions we will strive to tell good theatrical stories which have an historical perspective -with an emphasis on the 20th century- in order to broaden our own understanding of the world we live in. We believe through stories of human lives and struggles, both dramatic and comedic, we can understand social history and culture and how it affects us today.
Retro received recognition from their first two productions of Catholic School Girls and Mrs. California (as River Heights Productions) then gathered momentum in their third season with the Retro production of Still Life. Also directed by Ric Sechrest, Still Life received accolades from playwright Emily Mann: "Your production got it...Every aspect of the experience was first rate. Retro is clearly a company dedicated to creating impeccable work that truly matters," and Heather E. Cunningham's performance was honored alongside Romeo and Juliet’s Lauren Ambrose and August: Osage County’s Deanna Dunagan as one of Backstage's ‘2007 Performances to Remember’.
Retro Productions put themselves on the map in their fourth season producing Sally Nemeth's Mill Fire and What I Did Last Summer, called "...first-rate: brisk, sweet and occasionally quite moving," by playwright A.R. Gurney. This, their first season in residence at The Spoon Theater, garnered six 2008 New York Innovative Theatre Award nominations: two for performance and four for design, a New York Magazine ‘Off-off Broadway pick’ and the growing reputation of ‘the finished effect of a Retro Production’ (The Fab Marquee, Mill Fire). Kicking off with The Tender Trap and concluding with When You Comin’ Back Red Ryder? Retro's fifth season is proving that with a design team that has the ability to achieve 'theatrical time travel,' (The Fab Marquee) and "a powerful display of New York's dramatic talent," (offoffonline) Retro Productions is “...becoming a reliable source for first-class work.” (United Stages).
STS-51-L Microscopic Life
with Brian Haggerty
If This Were A Play, I'd Love You
with David Lawson and Alice Bahlke
The Stage Bone's Connected to the...
with Jordan Hue, Louis Aquiler, and Gary Ferrar
Originally produced Off-Broadway by Circle Repertory Company in 1973, Mark Medoff’s emotional drama took the theatre world by storm with its authentic, heart-wrenching depiction of the transformation of an era. It’s the end of the 60s in New Mexico and an early morning shift change at Foster’s Diner turns ugly when Teddy walks in. Steak and eggs evolve into taunting and bullying and before long the patrons and diner staff are helpless puppets in Teddy's cruel game, too terrified to resist him. Will they pull together to overcome him or be shattered by his emotional abuse?
I've NEVER paid anyone for sex before.........
WHORING IS HARD WORK. And now the competition is about to get stiffer with the influx of the newly jobless. Whore Works takes a sharp, witty, balls-out look at a black male hooker’s day-to-night struggle with hating and sometimes loving men who are paying him to, well.........you know.
A young hooker (Juan Michael Porter II) services
several different tricks (Bryan Webster) in this
provocative new play in which two black actors
wrestle with the question: Isn't Money Love?
- a World Premiere | Open: 10/08/08 Close: 10/26/08
*Note - this play contains strong language and imagery - it may not be suitable for those under 15 years of age.
The production stars Will Le Vasseur and James Stewart with set & lighting design by Stanley Brode, Will Le Vasseur, Jessalyn Maguire and James Stewart, costumes by Jessalyn Maguire.
January 26th, 2008
The Stamp & Coin Club
February 2nd, 2008
The Yes Andersens
February 9th, 2008
February 16th, 2008
9 Famous Irishmen
This presentation is not a production of Spoon Theatre or Nicu's Spoon Company, which offers its facilities when available for guest productions to individuals and organizations which do not have their own theatre or rehearsal space.
This ferocious black comedy presents 8 artists playing 4 roles, in our 'co-playing' style. Three people meet in a deli and 4th person, a man, acts as a truth serum on them, revealing who they really are under their exterior mask. If I take away the face you present to the world---are you then left disabled?