Potri Ranka Manis, the Founder and Artistic Director of Kinding Sindaw, will also lead a Filipino Indigenous Dance Workshop for La MaMa Kids on Saturday, March 14, 2020 at 11am at La MaMa's Ellen Stewart Theatre, 66 East 4th Street (2nd Floor). Tickets are $10 for kids and free for adult chaperones, and can be purchased online at www.lamama.org/pananadem, by phone at 212-352-3101, or in person at the La MaMa Box Office one hour prior to the event, 66 East 4th Street, NYC.
Conceived & Directed by Potri Ranka Manis
March 12 - 15, 2020
Pananadem means "remembering" in the language of the Meranao people. It is a way of looking back across time, to gain inspiration and perspective from one's ancestors. In this tale, old and new align as a young group of refugees whose quest for inspiration leads them to a transformative encounter with displaced tradition-bearers who recall the legends of Derangen, the Meranao epic.
Saturday, March 14, 2020 at 11am
Learn and enjoy the Kulintang gong music, Sultanate court dance movements from the epic, legends and myths of the ancestral Philippine Melayu Nusantara heritage. This workshop will transport the participants to experience these epic stories through hand gestures, footwork and colorful scarves and fans together with musical instruments: talking gongs (Gandingan) drum (dabakan) and the mini kulintang called sarunay.
Potri Ranka Manis was born in Borocot, Maging in Mindanao, Philippines. The oral culture and tradition of legends, epics and myths that are told through dances, traditional chant called Bayok and extemporaneous vivid poetry called Kaparoonan of the Meranao. This was her everyday life as a child in Mindanao. The tribes interchange resources and barter in Mindanao. This barter not only includes goods, but also culture, where welcome rituals, food rituals and healing rituals are being shared. Dances and music is always the culmination of these cultural exchange events. She learned not only the beauty and the art but the harmony, but also sharing the values carried through generations by chants, dances, kulintang music and weaving.
She grew up in a remote village, one of the ancient sultanates from the 4th century, when the Philippines, as a state, did not yet exist. Storytelling that is danced and chanted are everyday entertainment during Potri's childhood. This is how she learned artforms, orally transmitted folk traditions. Examples of these include the malong, tubular, handwoven apparel worn, with designs individually made according to the stories of the wearer or the weaver. Another example are musical pieces on the kulintang. Kulintang are made of 8 graduated gongs and are played together with other bigger gongs called agong and gandingan.The gandingan is the talking gong, used to send messages from one village to the next.
Her expertise in T'Boli came from her time of living among them for six years as a Registered Nurse, to advance community healthwork in the area. In her time there, she learned from tradition-bearers among the T'Boli, including their rituals, weaving, epic, dance, and music.
Her learning process of these dances are through life cycle from birthing, wedding, healing, and dying. Her learning process of this artform also include responses to the lunar and solar eclipse, rain, planting season and hunting season. She developed the oral tradition technique in teaching students who grow up and are educated in the western discipline. She brings in her students into the realms of the story, into the character and themes. The dances are taught nurturing the learner to put oneself in the story so they will not just copy the movement but be the character themself in the story. It is also emphasized every beginning of the classes or rehearsals or performances that the dance is in honor of the ancestors by reciting a salutation: "In honor of our ancestors who created and transmitted this tradition to us. With open heart, mind, body and soul, we would like to take this in as we use it to empower us to walk our path."
The dance movements are named after the patterns of the natural environment. An example is the foot movement of the Tboli called hugging the earth, asking permission from the earth to allow the dance ritual to take place. The kuda stance is also taught as the learner becomes the horse. The madal tanum is a rice planting ritual, where dancers mimic planting. It is a reminder that rice is sacred and can only be made by a whole community. The dainty, firm but graceful movements imitates the waves of the ocean and the serenity of the lake. The flying movement of the Imuhen bird (bird of omen) is signified in raising and falling of the hands that is sometimes accentuated by the handwoven malong.
Overall the dances that she teaches is not to entertain but to advocate for the intentions of these dances and also an awakening call for the western dancers that there is that living tradition that is threatened by the encroachment of the corporate development that rob the indigenous of their land. She believes that in teaching and performing these dances, music and chants, the call for awareness of the existence and endangerment of the indigenous people who are the guardian of our environment, our forest and natural resources will be more emphasized and will call more involvement by the audiences that are reached by this traditional art.
About Kinding Sindaw Melayu Heritage
Kinding Sindaw Melayu Heritage is a non-profit dance theater organization based in NYC, founded in 1992. Their mission is to assert, reclaim, preserve, and re-create the legends, epics, myths and unwritten history of the Philippines. The dance repertoire of Kinding Sindaw originates from the southern Philippines indigenous and royal people: Meranao, Maguindanao, Iranun, Taosug, Yakan, Samal, Bukidnon, Higaoonon, Tboli, Manobo, Bagobo, Blaan, Teduray, Kagan and Mandaya.
About La MaMa
La MaMa is dedicated to the artist and all aspects of the theatre. La MaMa's 58th Season celebrates the centennial of its founder, Ellen Stewart, whose vision of nurturing new artists and new work remains as strong today as it was when she first opened the doors in 1961. La MaMa has presented more than 5,000 productions by 150,000 artists of all nations, cultures, races and identities. Cultural pluralism and ethnic diversity are inherent in the work created on our stages. Here, artists find a supportive environment for artistic exploration, and audiences are part of the development of an artist's work over time.
A recipient of the 2018 Regional Theater Tony Award, and more than 30 Obie Awards and dozens of Drama Desk, Bessie, and Villager Awards, La MaMa has been a creative home for thousands of artists, many of whom have made lasting contributions to the arts, including Blue Man Group, Ping Chong, André De Shields, Adrienne Kennedy, Harvey Fierstein, Diane Lane, Warren Leight, Michael Mayer, Tadeusz Kantor, Bette Midler, Meredith Monk, Peter Brook, David and Amy Sedaris, Julie Taymor, Kazuo Ohno, Marc Shaiman and Scott Wittman.
For more information, visit www.lamama.org.
An absurdist gender-bending farce, One Green Bottle artfully illustrates our current selfie society's relationship with consumerism and modern technology through one night in the life of a disordered family on the road to ruin: Bo, Boo and Pickle all have plans, but someone must stay home to care for their pregnant dog, Princess. Trivial disputes and slapstick mischief quickly morph into family feuds and also, possibly, to the end of the world.
Artistic Director of the Tokyo Metropolitan Theatre Hideki Noda - renowned Japanese playwright, director and performer - brings One Green Bottle to NYC after the 2018 London premiere. His critically acclaimed production of The Bee was presented in 2012 by Japan Society as part of the Under The Radar Festival.
One Green Bottle stars Hideki himself with Lilo Baur and Glyn Pritchard. The English translation is adapted by Will Sharpe and features music based on Japanese Noh and Kabuki traditions, performed by Genichiro Tanaka.
Set Design: Yukio Horio, Lighting Design: Christoph Wagner, Costume Design: Kodue Hibino, Composer : Denzaemon Tanaka XIII, Sound Design: Marihiko Hara, Sound: Junko Fujimoto, Traditional Dance Advisor: Kikunojo Onoe, Noh Movement Advisor: Reijiro Tsumura, Video: Shutaro Oku, Hair & Makeup: Eri Akamatsu, Back translation: Keiko Tsuneda & Peter Marsh, Assistant Director: Ragga Dahl Johansen, Production Manager: Ayumu Poe Saegusa, Stage Manager: Toshiko Takihara.
"Enjoyably zany." - The Telegraph
"Hideki Noda is a master of the theatrical endgame." - The Guardian
"Strange and delightful... wildly funny." - What's On Stage
Playwright, Director, and Actor
Artistic Director, Tokyo Metropolitan Theatre
Born in Nagasaki Prefecture in 1955, Noda is a playwright, director, and actor. He became the artistic director of Tokyo Metropolitan Theatre as of July 2009 and is currently professor at Tama Art University. Noda launched his first theatre company, Yume no Yuminsha (Dreaming Bohemian) while still a student at the University of Tokyo, creating many works to much acclaim. After disbanding Yume no Yuminsha in 1992, he went to study in London. On his return in 1993, he established a theatre production company called NODA∙MAP. Since then, presented a succession of major hits, including Kill, Pandora no kane (Pandora's Bell), Oil, Akaoni (Red Demon), THE BEE, THE DIVER, The Character, Egg, Gekirin, Footprint Princess, and In the Forest, Under Cherries in Full Bloom. He has collaborated with the Kabuki actor Nakamura Kanzaburo XVIII, adapted Kabuki plays and directed productions of his original versions of the classical Kabuki pieces at Kabuki Theatre, such as Tragedy of Togitatsu, Nezumikozo, and more. Noda is also actively involved in international productions, working with British, Thai and Korean actors. He won most of the major drama awards in Japan, and was awarded the 2009 Asahi Prize. He was appointed an Honorary Officer of the British Empire (OBE) in October 2009 and the Medal with Purple Ribbon (for contributions to education and culture) in June 2011. He toured THE BEE English Versionaround New York (Under the Radar Festival), London (Soho Theatre), Hong Kong (Hong Kong Arts Festival), Tokyo (Suitengu Pit, Tokyo Metropolitan Theatre), Jerusalem (Israel Festival), Seoul (Myong Dong Theatre), Sibiu (Sibiu International Festival), Paris (Theatre National de Chaillot), Luxembourg (Theatre de la Ville) and Recklinghausen (Ruhrfestspiele) in 2012-14. His Eggwas invited to the main house of Theatre National de Chaillot in Paris in 2015. Egg was accepted by both media and audience of Paris having left powerful impact to them. In 2018, his legendary masterpiece In the Forest, Under Cherries in Full Bloom was invited to Paris again as one of the official participating programs of Japonismes 2018. In 2015, he devised a new movement called Tokyo Caravan, a leading project guiding the cultural program for the Tokyo 2020 Olympic and Paralympic Games. This movement pops up in various locations both in Japan and overseas such as Rio de Janeiro, Sendai, Fukushima, Roppongi, and Kyoto, to present a "Grand Cultural Circus." It is a "traveling culture movement" that continues to create performances with new expressions by realizing "cultural cross-flow" between artists. "Tokyo Caravan" will hold "Tokyo Caravan in Hokkaido" at the Moerenuma Park Glass Pyramid on January 2020. In 2019, his latest production『Q』: A Night At The Kabuki, a theatrical adaptation of the Queen's 1975 rock masterpiece A Night at the Opera, acquired great attention of Japanese theatregoers as well as abroad. He continues working energetically beyond genres and borders.
Born in Switzerland, Lilo Baur began her career as an actress in London. She appeared at the Royal National Theatre in Orestia directed by Katie Mitchell and at Shakespeare's Globe in The Merchant of Venice directed by Richard Olivier. For The Three Lives of Lucie Cabrol directed by Simon Mc Burney, she won the Dora Award and the Manchester Evening News Award as best actress. As a member of Théâtre de Complicité (director Simon Mc Burney), she appeared in The Visit, Winter's Tale, The Street of Crocodiles, Help I'mAlive and Light. In France, she interpreted Gertrud in La Tragédie d'Hamletdirected by Peter Brook, the Narrator in Debussy's St.Sebastien with the London Philharmonic Orchestra at Châtelet. She collaborated with Peter Brook on Fragments by Samuel Beckett and Warum Warum. She appeared in such films as Bleakhouse by Justin Chadwick, Don Quixote by Peter Yates, The Devil's Arithmeti by Donna Deitch, The Way We Live Now by David Yates, Vollmond by Fredi Murer. She also appeared in the movie Bridget Jones by Beeban Kidron. She is also directing opera, Dido and Aeneas by Purcell, Ariane et Barbe Bleue by Paul Dukas at Opera Dijon, La Resurrezione by Hàndel in Paris, Lakmé by Léo Delibes,Opéra Comique in Paris, Le Petit Prince andLaConférence des oiseauxcomposed by Michaël Levinas. For the stage, she directed King stag by C. Gozzi, Winter's Tale by Shakespeare, Fish love by Chekhov, Le 6éme Continent, a collaboration with Daniel Pennac.For the Comédie Française: Le Mariage by Gogol, La téte des autres by Marcel Aymé (which won the Prix Beaumarchais), La Maison de Bernarda Alba by Lorca, Aprés la pluie by Sergi Belbel andLa Puce à l'oreilleby Feydeau, which just opened this season.
Theatre includes:Y Cylch Sialc /The Caucasian Chalk Circle (Theatr Genedlaethol Cymru), The Kneebone Cadillac (Theatre Royal Plymouth), THE BEE (Tokyo Metropolitan Theatre/Tour), THE DIVER (Soho), One Green Bottle(Tokyo Metropolitan Theatre/Tour) all written and directed by Hideki Noda; The Twits (Royal Court Theatre); Blodeuwedd (Theatr Genedlaethol Cymru); The Dark Philosophers (National Theatre Wales); The Black Album, Ghetto, Fuente Ovejuna, Bartholomew Fair (National Theatre); Under Milk Wood, Blue Remembered Hills, A Christmas Carol (Dukes, Lancaster); King Lear (Young Vic); Othello (RSC); The Marriage of Figaro (Royal Exchange, Manchester); A Family Affair (Arcola). Television includes:Anita Series 1 and 2; Albie and Noa; 35 Diwrnod; Inspector George Gently; Critical; Harriet's Army; Law & Order: UK; Babylon; Hinterland; Stella; Casualty; The Indian Doctor; Pobol Y Cwm; Brookside; Oh Na! Y Morgans; Death of a Son; Famous Five; Coronation Street; A Mind To Kill; Keeping Faith. Film includes:Hunky Dory; Weekenders; Butterflies.
Genichiro Tanaka has been training under the maestro Denichiro Tanaka the Ⅱ since1989. He has graduated from Tokyo University of Arts and studied Traditional Japanese Music course, practical music course in 2011. In January 2016, he made his debut at Kabuki Theatre in Kuruwa Sanbaso. And in 2017, he succeeded to Genichiro Tanaka. Genichiro has performed for Hideki Noda's "One Green Bottle" for Sibiu performance in 2019.
About Tokyo Metropolitan Theatre
Tokyo Metropolitan Theatre was opened in October1990 by the Tokyo Metropolitan Government as a base to promote art and culture and its globalization among the citizens by presenting quality programs mainly in the fields of music, theatre, opera, and dance. The theatre features a Concert Hall, which is designed exclusively for classical music presentations and boasts one of the world's largest pipe organs, and a Playhouse, Theatre East and Theatre West for plays and dance performances. The theatre is also equipped with four exhibition spaces, large/small meeting rooms, and rehearsal rooms, and is capable of serving multiple purposes in artistic activities by the citizens in addition to actual performances on stage, from art exhibitions to lectures and workshops. Currently, the theatre is operated under the management of the Tokyo Metropolitan Foundation for History and Culture.
A variety of unique music programs have continuously been planned by and presented directly at the theatre, including concerts and lectures that feature our beautiful pipe organ, one of the highlights of our facilities. The theatre also regularly offers classical concert programs with a business partnership with the Yomiuri Nippon Symphony Orchestra, Tokyo. "Theatre Opera" is another quality music program that is popular at the theatre, where the audience enjoys "semi-staged" opera programs.
With its mission to serve as a core facility of new culture, the theatre has also been actively presenting original theatrical productions as well as cosponsored/tie-up programs with outside organizations known for their outstanding artistic performances. In July 2009, the theatre welcomed Hideki Noda, one of the most successful figures in today's theatrical communities in Japan, as its first artistic director so as to pursue further advancement in creative activities and to bring about more quality projects at the theatre. Since then, with supervision of Noda, the theatre has been introducing the audience to a wide variety of programs, from modern versions of classical pieces to experimental works that would not be categorized in any conventional theatrical genres.
On September 1, 2012, the theatre reopened to the public after completing the major renovation that began in spring of 2011 and is ready to serve again the citizens as Tokyo's flagship theatre for music and performing arts. Look forward to continued progress to create a theatre where art and culture are born; talents and education are supported; people are invited; and intercultural communication is promoted.
About La MaMa
La MaMa is dedicated to the artist and all aspects of the theatre. La MaMa's 58th Season celebrates the centennial of its founder, Ellen Stewart, whose vision of nurturing new artists and new work remains as strong today as it was when she first opened the doors in 1961. La MaMa has presented more than 5,000 productions by 150,000 artists of all nations, cultures, races and identities. Cultural pluralism and ethnic diversity are inherent in the work created on our stages. Here, artists find a supportive environment for artistic exploration, and audiences are part of the development of an artist's work over time. A recipient of the 2018 Regional Theater Tony Award, and more than 30 Obie Awards and dozens of Drama Desk, Bessie, and Villager Awards, La MaMa has been a creative home for thousands of artists, many of whom have made lasting contributions to the arts, including Blue Man Group, Ping Chong, André De Shields, Adrienne Kennedy, Harvey Fierstein, Diane Lane, Warren Leight, Michael Mayer, Tadeusz Kantor, Bette Midler, Meredith Monk, Peter Brook, David and Amy Sedaris, Julie Taymor, Kazuo Ohno, Marc Shaiman and Scott Wittman. For more information, visit www.lamama.org.