Gotham Chamber Opera announces the 2014/2015 season, which begins with Alexandre bis/Comedy on the Bridge, both by Bohuslav MartinÅ¯, from October 14 – 18, 2014, followed by the revival of Gotham’s 2010 production El gato con botas (Puss in Boots) in December at El Museo del Barrio.
Alexandre bis/Comedy on the Bridge
Music by Bohuslav MartinÅ¯
Neal Goren, conductor; James Marvel, stage director; Cameron Anderson, set designer; Fabio Toblini, costume designer; and Clifton Taylor, lighting designer
Presented in collaboration with the Gerald W. Lynch Theater at John Jay College.
October 14 – 18, 2014, Gerald W. Lynch Theater at John Jay College, NYC
Tickets $30-175, 212-279-4200, www.ticketcentral.com
A bridge to nowhere. A singing painting. An intermittent beard. Take a dip into the 20th-century absurd as Gotham Chamber Opera begins its 13th season with a double-bill of short comic operas by Czech composer Bohuslav MartinÅ¯. Alexandre bis (Alexander twice) is a surrealist comedy about a man who decides to test his wife’s fidelity by shaving off his beard and posing as his own cousin from San Francisco. She recognizes him but falls in love anyway. MartinÅ¯’s answer to Mozart’s Così fan tutte observes the conventions of comic opera while tweaking them, thus proving that a composer, if not a husband, can have it both ways. Comedy on the Bridge tells the story of two rival principalities separated by a river. A woman returning from one side gets caught in the middle by a bureaucratic snafu; soon she’s joined in this absurdist limbo by a letch, a fiancé, a vengeful wife, and a schoolmaster with a riddle. Everyone has a secret, but no one has a clue – except the composer, who gets them all happily sorted by the end. Featuring Jenna Siladie, Abigail Fischer, Cassandra Velasco, Jason Slayden, Jarrett Ott, and Joseph Beutel. Gotham Chamber Opera previously presented a MartinÅ¯ double-bill of Les larmes du couteau and Hlas lesa in 2003, a hit with the press and the public, resulting in lines around the block for returned tickets.
ABOUT THE 2002/2003 MARTINU DOUBLE-BILL:
"Both works were done with a startling combination of sensitivity and panache."
- Paul Griffiths, The New York Times
El gato con botas (Puss in Boots)
Music by Xavier Montsalvatge
Neal Goren / Geoff MacDonald, conductors; Moisés Kaufman, stage director; Andromache Chalfant, set designer; Clint Ramos, costume designer; David Lander, lighting designer; and Sean Curran, choreographer.
A co-production with El Museo del Barrio and Works & Process at the Guggenheim and produced in co-operation with Tectonic Theater Project.
December 6 – 14, 2014, El Museo del Barrio, NYC
Tickets $30-175, 212-279-4200, www.ticketcentral.com
This fall, the cat in the spats is back, when Gotham Chamber Opera revives El gato con botas (Puss in Boots), Xavier Montsalvatge’s take on the classic story of a mangy feline with magical talents. Can Puss win the princess’s hand for his master? Can he outwit the evil ogre? Don’t miss the amazing Bunraku puppetry that turns a fairy tale into an evening of “tuneful,” “magical,” “exquisite,” and eye-opening opera. Gotham’s production will be directed by Moisés Kaufman (The Laramie Project, 33 Variations) and features innovative Bunraku-style puppetry from London’s Blind Summit Theater. Featuring Andrea Carroll, Ginger Costa-Jackson, Karin Mushegain, Craig Verm, and Kevin Burdette.
ABOUT THE 2010 PRODUCTION OF EL GATO CON BOTAS:
“The puppets worked brilliantly. The cat strutted, slunk and cavorted, evolving from a mere house cat to a regal puss in boots.” - Vivien Schweitzer, The New York Times
“It’s the puppetry, created by London's Blind Summit Theatre, which takes the breath away...”
- Ron Cohen, Back Stage
“My only disappointment was that the show had to end.” - Patrick Dillon, Scherzo
“An exquisite production. * * * *” - John Simon, Bloomberg News
“An enthralling show for adults and kids of all ages.” - Bill Madison, The Flip Side
“A dazzling visual feast from start to finish.” - Andy Propst, TheaterMania
Gotham Chamber Opera is the nation’s leading opera company dedicated to vibrant, fully staged productions of works intended for intimate venues. Its high quality presentations of small-scale rarities from the Baroque era to the present have earned Gotham an international reputation and unanimous critical praise.
Founded by conductor and Artistic Director Neal Goren, Gotham debuted in 2001 with the American premiere of W.A. Mozart’s Il sogno di Scipione. In subsequent seasons, the company has produced many more local and world premieres, including Bohuslav MartinÅ¯’s Les Larmes du Couteau and Hlas Lesa (U.S. premiere 2002); Heinrich Sutermeister’s Die schwarze Spinne (U.S. premiere 2004); G.F. Handel’s Arianna in Creta (U.S. stage premiere 2005); Ottorino Respighi’s La bella dormente nel bosco (U.S. premiere 2005); Ariadne Unhinged, with music by Claudio Monteverdi, Joseph Haydn, and Arnold Schoenberg (World premiere 2008); Hadyn’s L’isola disabitata (New York stage premiere 2009); Xavier Montsalvatge’s El Gato con Botas (U.S. stage premiere 2010); Nico Muhly’s Dark Sisters (World premiere 2011); Lembit Beecher’s I Have No Stories To Tell You (World premiere 2014); and Toshio Hosokawa’s The Raven (U.S. premiere 2014).
Gotham has partnered with notable New York and national institutions, including Lincoln Center Festival and Spoleto USA (La bella dormente nel bosco) in 2005; the Morgan Library and Museum for Scenes of Gypsy Life (an evening of song cycles by JanáÄek and DvoÅ™ák) in 2008; the American Museum of Natural History and the American Repertory Theater for Hadyn’s Il mondo della luna (2010); Brooklyn Botanic Garden and the Broad Stage, Los Angeles for Daniel Catán’s La hija de Rappaccini (Rappaccini’s Daughter, 2013); Trinity Church Wall Street for Marc-Antoine Charpentier’s La descente d’Orpheé aux enfers (2013); The Metropolitan Museum of Art for Monteverdi’s Il combattimento di Tancredi e Clorinda and Beecher’s I Have No Stories To Tell You (2014); and the New York Philharmonic for Hosokawa’s The Raven (2014).
Gotham has earned a reputation for showcasing outstanding young singers alongside established directors and choreographers such as Mark Morris (the 2009 production of Hadyn’s L’isola disabitata), David Parsons (the New York stage premiere of Astor Piazzola’s tango opera, María di Buenos Aires), Karole Armitage (the world premiere of Ariadne Unhinged), Basil Twist (La bella dormente nel bosco), Robin Guarino (Gioachino Rossini’s Il signor Bruschino and Il combattimento di Tancredi e Clorinda/I Have No Stories to Tell You), Christopher Alden (Il sogno di Scipione and Arianna in Creta), Diane Paulus (Il mondo della luna), Moisés Kaufmann (El gato con botas), and Rebecca Taichman (Dark Sisters and La hija de Rappaccini.)
In recent years, Gotham Chamber Opera has been recognized as a pioneer in creating opera productions in alternative venues, beginning in 2010 with its production of Haydn’s Il mondo della luna at the Hayden Planetarium, followed in 2013 with the U.S. professional stage premiere of Francesco Cavalli’s Eliogabalo at New York’s notorious late night club The Box, Catán’s La hija de Rappaccini on the Cherry Esplanade of Brooklyn Botanic Garden and at the Greystone Manor in Beverly Hills, and the double-bill of Monteverdi’s Il combattimento di Tancredi e Clorinda in the Metropolitan Museum of Art’s Bloomberg Arms and Armor Gallery and Beecher’s I Have No Stories to Tell You in the Medieval Court.
For more information, visit www.gothamchamberopera.org.
About the Company: Gotham Chamber Opera
Gotham Chamber Opera is the nation's foremost opera company dedicated to producing rarely-performed chamber operas from the Baroque era to the present. The company's mission is to present innovative, fully-staged productions of the highest quality in intimate venues. Founded by conductor and Artistic Director Neal Goren in 2000, Gotham Chamber Opera has, in its short history,presented seven U.S. premieres of 18th- and 20th-century operas, including such masterpieces as Mozart's Il sogno di Scipione; Darius Milhaud's Les Malheurs d'Orphée; Czech composer Bohuslav Martinu's Dada opera Les Larmes du Couteau; and Swiss composer Heinrich Sutermeister's Die schwarze Spinne. In February 2005, Gotham presented the U.S. stage premiere of Handel's Arianna in Creta. Also in 2005, Lincoln Center Festival and Spoleto Festival USA presented Gotham Chamber Opera's U.S. premiere of Ottorino Respighi's fantastical puppet opera La bella dormente nel bosco, featuring the puppetry of Basil Twist. In the spring of 2006, Benjamin Britten's Albert Herring received its first professional staging in New York in more than 30 years, and in winter 2007, Rossini's Il signor Bruschino received its first major professional New York staging in more than half a century. In the 2007/2008 season, Gotham Chamber Opera celebrated dance with Astor Piazzolla's tango opera, María de Buenos Aires, directed by David Parsons and featuring Parsons Dance, and with a new work entitled Ariadne Unhinged, directed by Karole Armitage and featuring members of Armitage Gone! Dance. In 2009, Mark Morris directed the U.S. stage premiere of Haydn's L'isola disabitata. Most recently, in 2010, Gotham made news world-wide for its high-tech production of Haydn's Il mondo della luna, staged in the Hayden Planetarium of the American Museum of Natural History, and for Montsalvatge's El gato con botas (Puss in Boots), at The New Victory Theater, staged by Tony Award-nominated director Moisés Kaufman, with puppet design by Blind Summit Theatre. For more information, visit www.gothamchamberopera.org.
Theater: Gerald W. Lynch Theater
Address: 899 Tenth Avenue
Buy Tickets Online or Call: Ticket Central at 212-279-4200