THE COLLEGIATE CHORALE PRESENTS: SYMPHONY NO. 7 "TOLTEC" AND OCEANA

Genre: Classical
Philip Glass and Osvaldo Golijov

The Collegiate Chorale announces the New York Premieres of two works by major composers: Symphony No. 7 “Toltec” by Philip Glass and Oceana by Osvaldo Golijov, featuring international jazz vocalist Biella Da Costa and the American Symphony Orchestra on Wednesday, February 27, 2013 at 7pm at Carnegie Hall, 881 7th Avenue, NYC. The Collegiate Chorale’s Music Director James Bagwell will conduct.  Tickets are $20-115 and are available at www.carnegiehall.org.

In this pairing of contemporary choral compositions by Osvaldo Golijov and Philip Glass, The Chorale turns its attention towards Latin America with the New York premieres of Symphony No. 7 “Toltec” and Oceana.  Composed in 2004, Symphony No. 7 – A Toltec Symphony is Philip Glass’s personal homage to the ancient traditions and beliefs of the peoples of Mesoamerica, circa 700-1100 BCE.  Although often cited for their accomplishments in mathematics, calendar making, building and architecture, Glass is concerned with Toltec personal spiritual development:  “The Toltecs emphasized the relationship with the forces of the natural world (the sun, earth, water, fire and wind) in developing their own wisdom traditions.”  In his symphony, scored for full orchestra and large chorus, Glass does not use any of his trademark electric keyboard sounds, but instead explores musical textures and phrases within the realm of a strictly acoustic, natural world.  In using pure, natural acoustic instruments, he gets closer spiritually to the natural world the Toltec culture worships.  This musical exploration results in extended yet constantly changing harmonies, textures, and rhythms.  

Commissioned by the Oregon Bach Festival in 1996, Golijov wrote Oceana in the spirit of a Bach cantata but with a Latin American musical style that features a jazz/pop vocalist, percussion, and guitars.  Set to the poetry of Pablo Neruda, Oceana, in Golijov’s words, is the “transmutation of passion into geometry”.  He describes his work such that “water and longing, light and hope, the immensity of South America's nature and pain, are here transmuted into pure musical symbols, which nevertheless should be more liquid than the sea and deeper than the yearning that they represent.”  Golijov juxtaposes rolling, cascading arcs of sound (giant rain sticks in the percussion, choral and orchestral writing that sweeps forward and back in extended phrases) and the unique sound of Brazilian jazz with the technical precision of classical oratorio and symphonic structure.  The result is an astounding and exciting rush of sound, drama and emotion; waves of text overlapping waves of sound; jazz merging with classical; and cinematic cascades of texture upon texture.  Popular Venezuelan Jazz vocalist and Golijov specialist Biella Da Costa joins The Chorale in the performance of this powerful musical work.


About the Company: The Collegiate Chorale

The mission of The Collegiate Chorale is to enrich its audiences through innovative programming and exceptional performances of a broad range of vocal music featuring a premier choral ensemble. Inherent in its mission is The Chorale's belief that choral music is a compelling collaboration that creates a powerful, shared experience unifying listeners and musicians of all backgrounds, beliefs and ages.

The Collegiate Chorale, among New York's foremost vocal ensembles, has added to the richness of the city's cultural fabric for more than 65 years.  Founded in 1941 by the legendary conductor Robert Shaw, The Chorale has established a preeminent reputation for its interpretations of the traditional choral repertoire, vocal works by American composers, and rarely heard operas-in-concert, as well as commissions and premieres of new works by today's most exciting creative artists.  In the summer of 2009, The Chorale performed for a fourth season at Switzerland's Verbier Music Festivaland in July 2008 toured with the Israel Philharmonic Orchestra under Zubin Mehta in Tel Aviv, Haifa, and Jerusalem.  This season, The Chorale presented the world premiere two-act concert version of Ricky Ian Gordon's opera The Grapes of Wrath at Carnegie Hall to great critical acclaim.  The mission of The Collegiate Chorale, led by Music Director James Bagwell, is to enrich its audiences through innovative programming and exceptional performances of a broad range of vocal music featuring a premier choral ensemble.

Open:   02/27/13
Close:   02/27/13

Schedule:
Wednesday, February 27, 2013 at 7pm
Theater:   Carnegie Hall
Address:   881 7th Avenue
New York, NY 10019
Google Maps
Cost:$20-115
Buy Tickets Online or Call: Carnegie Hall at 212-247-7800
Company: The Collegiate Chorale         Official Web Site: www.collegiatechorale.org