GODOT

Genre: Dance
with Sin Cha Hong, inspired by

The internationally renowned Korean dancer/choreographer Sin Cha Hong will perform the American debut of her "Godot," a solo dance drama inspired by Beckett's classic. Sin Cha Hong writes on her website (www.sinchahong.com/godot_eng) that Beckett's play "has always been a source of spiritual and artistic creativity" and that she is "also, somewhat, waiting for Godot throughout my process of dance and meditation, just like Estragon or Vladimir." She describes recreating the play in dance drama as "a very meaningful turning point in my life."

Sin Cha Hong's last New York production, "Pilgrimage" (La MaMa, 2006), was a dance portraying the religious journey towards enlightenment. So it is natural to imagine her embracing Existentialist themes that are commonly ascribed to "Waiting For Godot." Like Beckett's play, her dance is grave, intense and concise. Sin Cha Hong does not literally play Vladimir or Estragon, Pozzo or Lucky, but many elements of the play are strongly present, including its centerpiece, a scrawny tree, which bears fruit to indicate the passage of time. There is a whole collection of shoes, ranging from the Tramps' tight clodhoppers to some stylish-looking, red high-heels. There is even a rope with which the protagonists might have actually succeeded in hanging themselves.

Sin Cha Hong is alone on stage. She awakens beneath the tree, as if to indicate that she has always been there. There is no dialogue, only slow, affective movement, accompanied by a percussive score that would, in Beckett's words, "hold the terrible silence at bay." The shoes are manipulated like puppets, as is a large white coverlet which she tears off her bed and surrounds herself, resembling the placenta of a kitten at birth. There are ingenious, delicately-designed lighting images, as when the tree is projected as a shadow upon Sin Cha Hong's white gown. Overall, there is a feeling of beautiful solitude (implying, perhaps, that the path to enlightenment is a lonely one?) and of the many changes that happen to you while waiting--a journey from agony to laughter.
About the Company: La Mama Experimental Theatre Club

La MaMa is a remarkable arts institution with a world-wide reputation for producing cutting-edge work in theater, dance, performance art, and music. Founded in 1961 by theater pioneer and legend, Ellen Stewart, La MaMa has produced and presented more than 3,000 theatrical productions to date and is a vital part of the fabric of cultural life in New York City and around the world.

La MaMa provides a supportive home for artists and takes risks on unknown work. Artists such as Sam Shepard, Lanford Wilson, Philip Glass, Robert Wilson, Harvey Fierstein, Blue Man Group, David and Amy Sedaris, -and others whose names you haven't heard of yet - began their careers at La MaMa. International artists introduced to America by La MaMa include Tadeusz Kantor, Andrei Serban, Kazuo Ohno and, more recently, the acclaimed Belarus Free Theatre.La MaMa has been honored with more than 30 OBIE Awards, dozens of Drama Desk and Bessie Awards, and, in 2006, Ellen Stewart was recognized with a special TONY Award for "Excellence in the Theatre."

Preview:   11/20/08
Open:    / /
Close:   11/30/08

Schedule:
Thursday through Saturdays at 7:30pm, Sundays at 2:30pm
Theater:   La Mama (annex)
Address:   74A E. 4th Street
New York, NY 10003
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Directions
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6 to Bleecker, walk east to Bowery, north to East 4th, east to theater

Cost:$25/tdf, $20 seniors and students, $10 children
Buy Tickets Online or Call: at 212-475-7710
Company: La Mama Experimental Theatre Club         Official Web Site: www.lamama.org