|THIS IS THE COLOR DESCRIBED BY THE TIME
| Open: 02/14/18 Close: 03/03/18
In THIS IS THE COLOR DESCRIBED BY THE TIME, collaboratively created by the performance laboratory Door 10, audience members wear individual headphones to drop inside the imagined unconscious of avant-garde writer Gertrude Stein. Through this intimate approach, the audience experiences Stein’s repeated and unusual phrases as layers of thoughts, voices and memories interwoven into a rich soundscape.
THIS IS THE COLOR DESCRIBED BY THE TIME is a fractured journey through Stein’s daily routine in France during World War II as she struggles with writer’s block, listens to the radio, shares a meal with Alice B. Toklas, and confronts her own mortality. Dramatizing her friendships with Vichy official Bernard Faÿ and humanist playwright Thornton Wilder, the piece examines Stein’s forgotten politics and raises questions about the inextricable link between the political, personal, and artistic.
The cast for THIS IS THE COLOR DESCRIBED BY THE TIME will feature Stephanie Roth-Haberle (Drama Desk Award nominee for Artist Descending a Staircase; The Curious Incident of the Dog in the Night-Time), Christina Rouner (The Malcontent with Red Bull Theater; Coram Boy on Broadway), Ean Sheehy (Red-Eye to Havre de Grace at New York Theater Workshop; Shrunken Heads at Playwrights Horizons), and Ben Williams (Gatz with Elevator Repair Service; A Beautiful Day in November on the Banks of the Greatest of the Great Lakes with New Georges/Women’s Project). The design team will include Sound Design by Ben Williams (Elevator Repair Service), Costume Design by Alice Tavener (PIONEERS#goforth at Jack; I’m Bleeding All Over at LaMama), Lighting Design by Reza Behjat (Tear a Root from the Earth at the New Ohio) and Set Design by Amy Rubin (Miles for Mary with The Mad Ones at Bushwick Starr/Playwrights Horizons; How to Live on Earth with Colt Coeur) with Associate Director Jim Dawson and Door 10 line producer and co-founder Sarah Peterson.
Performances will be Wednesday, February 14 at 7pm, Thursday, February 22 at 7pm, Friday, February 23 at 3pm & 8pm, Sunday, February 25 at 7pm, Tuesday, February 27 at 7pm, Wednesday, February 28 at 7pm, Friday, March 2 at 8pm, and Saturday, March 3 at 2pm.
About the Company: New Georges
New Georges, founded in 1992, is one of New York City’s premiere downtown theaters, a strategically small company with a national reputation as a hub and a launchpad for the most adventurous theater artists (who are women) working today. Through productions of boundary-pushing new plays, several varieties of play development programs, and our indispensable workspace, The Room, we support the largest ongoing working community of women theater artists in New York City and have launched an unprecedented generation of women playwrights and directors. Honors for New Georges, its plays and its people include 3 Obie Awards, The Lilly Award, the Susan Smith Blackburn Prize and the Kesselring Prize, and New York Magazine has called New Georges an “important, risk-taking organization.” Notable productions include Hilary Bettis’ Alligator, directed by Elena Araoz, the first production in The Sol Project; Kate Benson’s 2015 Obie Award-winning A Beautiful Day in November on the Banks of the Greatest of the Great Lakes, directed by Lee Sunday Evans; Marielle Heller’s The Diary of a Teenage Girl, directed by Sarah Cameron Sunde and Rachel Eckerling; Eisa Davis’ Angela’s Mixtape, directed by Liesl Tommy; Jenny Schwartz’s God’s Ear, directed by Anne Kauffman; Heidi Schreck’s Creature, directed by Leigh Silverman; Sheila Callaghan’s Dead City, directed by Daniella Topol; and Lisa D’Amour’s Anna Bella Eema, directed by Katie Pearl; we have provided critical early-career opportunities to additional playwrights and directors who include Lucy Alibar, Rachel Bonds, Rachel Chavkin, Rachel Dickstein, Portia Krieger, Maria Mileaf, Lila Neugebauer, Jen Silverman, Diana Son, Kathryn Walat, Tracey Scott Wilson, Anna Ziegler and many more.